Hiển thị các bài đăng có nhãn Terence Fisher. Hiển thị tất cả bài đăng
Hiển thị các bài đăng có nhãn Terence Fisher. Hiển thị tất cả bài đăng

Chủ Nhật, 11 tháng 8, 2013

SWORD OF SHERWOOD FOREST - Review By Greg Klymkiw - The Parallax View in Green Tights via Hammer Studios

Sword of Sherwood Forest (1960) dir. Terence Fisher **1/2
Starring: Richard Greene, Peter Cushing, Sarah Branch, Nigel Green, Niall MacGinnis, Oliver Reed, Desmond Llewelyn

Review By Greg Klymkiw

With the theatrical release of Ridley Scott's abominable revisionist prequel "Robin Hood", movie fans have been blessed with the DVD releases of virtually every piece of Robin Hood cinema produced in the western world. Of course, the best film of this great character will always be Warner Brothers' Errol Flynn technicolor epic, but I'm extremely pleased to see a decent transfer of a movie I loved as a kid - "Sword of Sherwood Forest".

Starring Richard Greene, who portrayed Robin for five years on the great British television series "The Adventures of Robin Hood", this big screen rendering was a staple for me during Saturday kiddies matinees and later on Sunday afternoon television movie broadcasts. Even as a young lad, I knew this movie was nowhere near as good as the television series, but that never stopped me from seeing it over and over again. Seeing it now, for the first time in over forty years, I had a rollicking good time and see why I enjoyed watching it so many times. It's extremely entertaining - pure and simple. It also features some robust merry-man comedy and a terrific final twenty minutes of swashbuckling action.

The relatively simple plot involves Robin and his band of merry men thwarting an assassination attempt upon the Archbishop of Canterbury. The wicked Sheriff of Nottingham (played to utter perfection by Peter Cushing) is teamed up with a group of greedy landowners to gain control of some strategically important land to fortify with a new castle - one which would place them in a position of considerable power over the Crown. This, of course, will never do - not with King Richard away at the Crusades - but with Robin Hood on the case, it's never in question that good will triumph over evil.

Seeing the movie now, there's a fair bit about it that's pretty interesting and engaging. First and foremost is how the entire story hinges on assassination. While this flew over my head as a kid, many people would have, at the time, first seen the picture second-run and/or on television soon after JFK's assassination. Because the political intrigue of the film involves cold-blooded murder and conspiracy it probably had some impact on people - though that impact seems even more profound decades later.

In the context of what we know now, there's one sequence that's genuinely well written, expertly directed and very chilling. Robin is recruited by one of the evil landowners who takes considerable interest in Robin's prowess as an archer. Robin takes up this post to gain as much information as he can, but his character soon becomes as appalled as we are as well. Robin is given a series of archery challenges and as they progress, it slowly and creepily becomes apparent that he's being tested for his ability to perform a public political assassination. It's not quite Pakula's "The Parallax View" (albeit one with green tights), but director Terence Fisher - no slouch in the suspense department - handles this sequence with the kind of efficiency he was known for.

Fisher, of course, is one of the other interesting aspects of the film. Produced by Hammer Studios, renowned both then and now for their superb science fiction and horror films chose very wisely in assigning their star director to this project. Fisher was not only a director of numerous episodes of the Robin Hood series, but was a highly skilled and stylish filmmaker who delivered such classics as "Curse of Frankenstein", "Horror of Dracula", "Brides of Dracula" and "The Mummy" (in addition to numerous other pictures which, ranged from solid to excellent, if not always in the classic vein).

In addition to the aforementioned assassination test sequence, Fisher handles a number of scenes very well - one in which the Sheriff offers one of Robin's men a pardon in exchange for information and chillingly kills the man in cold blood once he gets what he needs, and another involving the storming of the priory to commit cold-blooded murder which is thwarted by a truly thrilling action sequence. There's also a surprise murder sequence which I won't ruin for you, but Fisher handles it with such vicious relish that on this recent viewing, even I was kind of shocked in spite of all the times I saw the movie as a kid.

The surprise murder is committed by the completely psychotic Lord Melton who is played by none other than the magnificent Oliver Reed. Reed's given so many great performances, but this has to be one of the weirdest he's ever delivered. He plays his character with a truly bizarre, non-descript, but definitely "foreign" accent and he minces about so foppishly, nastily and Nancy-boy-like, that he seems to be auditioning well in advance for a role in "Cruising". One of the more delightful moments involves Reed prissily riding his horse with a beloved falcon on his shoulder that he strokes with the same kind of finger-gesticulating relish as Charles Gray or Donald Pleasance as Ernst Stavro Blofeld in the Bond pictures. When something completely shocking happens to the falcon, Reed's stuttering, twittering response is priceless.

The picture has other small pleasures. For movie geeks, Desmond Llewelyn who played "Q" in all the pre-2000 Bond pictures, plays a small role and for Hammer aficionados, the unfortunate non-actress playing Maid Marian (the lamentably wooden and rather unfortunately sur-named Sarah Branch) is more than suitably endowed in the mammary department - one of Hammer's more delightful trademarks for all its leading ladies.

I can't actually defend the picture as anything resembling exceptional cinema, but "Sword of Sherwood Forest" is a perfect picture to curl up with on a rainy afternoon.

And like I said earlier, it shames Ridley Scott's "Robin Hood" and was, no doubt, made on a budget SLIGHTLY less than would have been paid to Cate Blanchett's manicurist. And while Richard Greene as Robin is starting to be a tad long-in-tooth for the role, he's at least not as Friar-Tuck-like as Russell Crowe.

"Sword of Sherwood Forest" is available on DVD from Sony Pictures Home Entertainment along with three other Robin Hood pictures in the "Robin Hood Collection" - "Prince of Thieves" with the inimitable Jon Hall, "Rogues of Sherwood Forest" with the astounding John (former husband of Bo) Derek and "The Bandit of Sherwood Forest" starring the always-versatile Cornel Wilde.









Thứ Hai, 16 tháng 7, 2012

THE MAN WHO COULD CHEAT DEATH - Review By Greg Klymkiw - Terence Fisher's eerie horror classic from Hammer is up there with his best work and stars the insane Anton Diffring from "Circus of Horrors" and the stunning Hazel Court - she of the soft, milky protuberances. Available on Blu-Ray as a double-feature with "The Skull".


The Man Who Could Cheat Death (1959) dir. Terence Fisher
Starring: Anton Diffring, Hazel Court and Christopher Lee

***

Review By Greg Klymkiw

Even if The Man Who Could Cheat Death were an awful movie (and it is far from that), it would have one big thing going for it. Well, actually two big things – those soft, milky protuberances heaving ever so-delicately beneath the low-cut velvet dress of Heaven itself; namely, the breasts of that utterly flawless example of womanhood, Hazel Court.

These bounteous pillows of perfection are, however, not all that mesmerize Dr. Georges Bonnet (Anton Diffring) the title character of this delicious Hammer Horror picture from master Terence Fisher. When his (and our) eyes gaze above her cleavage, then glide upwards along her perfect breastplate and delicate neck, they run smack into a delectable puss replete with full lips, exquisite cheek bones and eyes you want to dive into. There’s also that pile of soft scarlet atop her crown, tied and trussed in a manner that hints, ever so invitingly, at the cascading waterfall that awaits when the pins are removed and the locks tumble down.

And beneath it all – beneath her upper bounties – is a svelte torso, supple, childbearing hips and, no doubt, other hidden fruits best left to our imaginations.


The estimable Miss Court as the comely model Janine Dubois makes her first appearance in the picture on the arm of the dashing Dr. Pierre Girard (Christopher Lee) during a private gathering in Bonnet’s home where the mad-scientist/artist is about to unveil his latest sculpture to a small, but admiring public of society people. It is obvious to all, including Girard, that she and Bonnet are former lovers and it is here we discover that Bonnet’s artistic output has been reserved to sculptures only of the upper portions of the most beautiful women imaginable.

Once the party disbands, we are treated to the revelation that the 30-something Bonnet is, in fact, over 100 years old and that he’s found the secret to eternal youth through the occasional implantation of a fresh gland in addition to a lime-green potion. His goal is to steal, Janine from Pierre, implant a new gland – making her “immortal” – and to spend the rest of eternity in bliss.

And who wouldn’t want to spend an eternity with Hazel Court? Only a madman, right?

Well, there’s the rub. Implantation of the gland and adherence to steady doses of the lime-green bubbling Kool-Aid renders all those under its influence to go stark raving, psychotically bonkers. This, of course, will not do and it’s up to Girard (one of Christopher Lee’s few heroic roles) to save the day.

With a Jimmy Sangster screenplay adaptation of a creaky, but oddly literate play by Barre Lyndon (The Man of Half Moon Street, already made as a film in the 40s) is one part The Picture of Dorian Gray, with dashes of Dr. Jekyll and Mr. Hyde and Dracula.

It’s perfect material for Terence Fisher who delivered some of the finest and most stylish British horror films of all time. Though much of the action is constricted to a few rooms, it’s an always engaging thriller thanks, in part to Fisher’s splendid direction and, most of all, because of the superb cast. Peter Cushing look-alike Anton Diffring (star of the luridly magnificent Circus of Horrors) is the perfect tragic villain with his aquiline features and sorrowful eyes, Lee handles himself expertly as the hero and Miss Court is breathtakingly engaging in her role.

The Man Who Could Cheat Death is a welcome addition to Fisher’s fine work from the 50s (including Curse of Frankenstein and Horror of Dracula). In fact, it’s kind of cool seeing Fisher work his magic in a genre film that is bereft of an already identifiable monster (he also helmed versions of The Mummy, The Werewolf and Phantom of the Opera) and if the picture seems a trifle dated and a smidgen derivative, these are but minor flaws in an otherwise delightful chiller.

Besides, it stars Hazel Court and that is, of course, reason enough to see pretty much anything.

"The Man Who Could Cheat" is one of several British genre pictures distributed in North America by Legend Films. It's currently available as a double-disc Blu-Ray with the added Amicus attraction, "The Skull".

This is a must-have Blu-Ray disc for vintage horror fans and the price is certainly right. The movies are also available as single-disc DVDs. If you plan to buy, please consider supporting the maintenance of this site by ordering it via the links below: