Hiển thị các bài đăng có nhãn TV Series Adaptation. Hiển thị tất cả bài đăng
Hiển thị các bài đăng có nhãn TV Series Adaptation. Hiển thị tất cả bài đăng

Thứ Tư, 31 tháng 12, 2014

CORNER GAS THE MOVIE - Review By Greg Klymkiw - Canuck TV show on big screen, eh

Here be a real knee-slapper from CORNER GAS THE MOVIE
Nyuck. Nyuck. Nyuck. Are you be laughing yet?
It be real funny, eh? It be Canadian, eh.
Come on! Laugh, goddamn ye! LAUGH!
Ah, fuck you, gimme a beer, eh.

Corner Gas The Movie (2014)
Dir. David Storey
Scr. Brent Butt,
Andrew Carr, Andrew Wreggitt
Starring: Brent Butt, Gabrielle Miller, Fred Ewanuick, Eric Peterson, Janet Wright, Tara Spencer-Nairn, Lorne Cardinal, Nancy Robertson, Don Lake, Reagan Pasternak, Karen Holness, Cavan Cunningham, Graham Greene

Review By Greg Klymkiw

The Canadian TV series Corner Gas was an undeniable smash. For six seasons, its ratings kicked everything off the charts, including big American programs. Its worldwide sales have also been through the roof. The show could probably have gone on for a few more seasons, but its creator Brent Butt bravely decided to pull the plug on a high note. The final episode drew a staggering three-million-plus Canadian viewers.


The ubiquitous billboards, ads, the content of said promotional materials and the general water cooler babble about the show amongst the Great Unwashed was enough to convey to even a gibbering gibbon that the show was a sitcom about inbreds living in some godforsaken small town in the middle of the Canadian Prairies. Happily, that's all I really knew about the show since I don't watch much television save for TV Ontario, a few select British and American items I'd catch up with on DVD, Judge Judy, Divorce Court and the Maury Povich Show. (I used to also watch the former CBC before it was ruined by an oinker with - ahem - "vision".)

Bottom line: I had not laid a single eyeball upon even one frame of the hit series when I finally watched the recent feature-length big-screen version entitled Corner Gas The Movie. I'm glad, though, because I really only care to assess feature films on their merits (or lack thereof) as feature films. Given the pedigree of the series, plus the fact that I'm a dyed-in-the-wool prairie lad who despises Toronto with a passion and has rued every day I've had to live in the godforsaken Town o' Hogs for 20 of my 50 or so years on this Earth, I was open-mindedly thrilled to see this movie.

Besides, seeing feature length versions of shows one loves, especially those made years or even decades after the original idiot box versions, carries way too much baggage for me and more often than not, I'm supremely disappointed. However, in recent years, I had the good fortune to see some family-oriented movies based on hit television shows aimed at pre-teen and tweener girls and enjoyed them so much, I ended up watching the programs on DVD quite happily with my daughter.

I was primed to love this movie, or at least, like it.

It didn't happen. I felt I was watching television of the worst order - a half-hour episode dragged out for over 90 minutes. Even worse, I did not laugh once. Not even a smile managed to crack my steely visage. At times, the movie was so painfully unfunny, I tried to imagine it within the context of being a Carl Dreyer masterpiece, but written and directed by Jethro Beaudine. THAT made me laugh, but alas, the fantasy did not transfer to the misery of having to watch Corner Gas The Movie.

75% of this movie's $8.5 million
budget came from public funds.
Money well spent! Good Job!

The tired narrative trudges along interminably and involves the denizens of Dog River, a town on the verge of utter bankruptcy. Water and power are in scarce supply and business is so bad that Brent (Brent Butt), the proprietor of the gas station, attempts to inject some life into the town by purchasing the local bar. Lacey (Gabrielle Miller) runs the town diner and has her own ideas on how to turn things around. She enters Dog River into a national contest to find the most quaint city in Canada. The prize is $75K, which, could go a long way to cover the town's debts and then some.

The problem, though, is that Dog River needs a whack of elbow grease to get it closer to "quaint". Lacey enlists Brent's Mom, the crusty Emma (Janet Wright) and a handful of others who appear to comprise the entire population of the town. Local layabout Hank Yarbo (Fred Ewanuick) is full of ideas. They're all stupid, but it doesn't stop him from trying. His stupidest idea is attempting to open a coffee-donut chain franchise which, if it worked, would put Lacey out of business.

The town's sole law enforcement is comprised of the pregnant Karen (Tara Spencer-Nairn) and the dopey, friendly big-galoot Davis (Lorne Cardinal). The town's shifty, boneheaded Mayor Fitzy (Cavan Cunnigham), has not only drained the town dry by investing the coffers in, uh, Detroit, but also dupes David into taking an early retirement to save the town some dough. No matter. Davis decides he's going to become a private investigator (not unlike Jethro Beaudine deciding to be a brain surgeon in The Beverly Hillbillies) whilst Karen goes on a mad spree to issue municipal citations to get her "quotas" up in case she needs to get a new law enforcement gig somewhere else.

Nutty Wanda (Nancy Robertson) appears to have the most moxie and entrepreneurial spirit of the lot when she opens up a booze can and casino in Davis's man-cave. It becomes so popular, it's driving Brent's bar into the poorhouse. The biggest threats of all come from the nearby town of prairie fundamentalists who wish to annex Dog River and a coffee and donut chain that wants to buy up all of Dog River's property cheap and turn the whole shooting match into a massive industrial warehouse. Adding insult to injury, a massive lawsuit rears its ugly head and Brent is about to lose everything.

While all this is going down, Brent's father Oscar (Eric Peterson), a dad-nabbit old curmudgeon is so obsessed with survivalism, he trades in his car for a horse and proves, as both a man and human being (and frankly, as a survivalist) to be about as useless as tits on a bull.

By the way, have I yet mentioned that the evil chain trying to swallow Dog River whole is called "Coff-Nuts"?

Are we laughing yet?

The pain involved in suffering through this convoluted maw of rancid folksiness and whimsy is enough to inspire suicide or, at least, a trip to Holland for a bit of the old euthanasia. The acting is either prime-time-competent or full of egregious mugging and there isn't one single funny, original line of dialogue, pratfall or story beat anywhere to be found in the whole dreary enterprise. About all I can say in favour of the movie, and I suppose this is something, is that I did not need prior exposure to the series to figure out who was who and what was what. This was all plainly obvious.

Frankly, though, if the TV series is anything like this movie, I'm not making any time to watch it on DVD and ultimately, I can only conclude how truly bereft of taste and/or brain our kinder, gentler, simpler Canadians are blessed with to have turned it into such a huge hit. It kind of makes sense, though. Corner Gas was probably a big hit amongst all those who elected our current Chancellor/Prime Minister. It's the only explanation.

As for Corner Gas The Movie, it's not a movie. It certainly doesn't have the scope of a movie and feels little more than going to the movies to watch television. Yup, the movie stinks, alright, but I will say it sure does have some pretty prairie sunsets.

Oh, and speaking of purty prairie sunsets, the thick-heads running the government of Saskatchewan (where much of this movie was shot) flushed a terrific tax credit down the toilet, effectively destroyed the local film industry, tossed out all the economic spin-off benefits of film production in the province and forced locals to move away (kind of like what was in the works for the Dog River denizens). I suppose one could consider the Saskatchewan Legislature to be little more than, uh, Coff-Nuts.

In spite of this lack of vision, the province of Saskatchewan opened their purse strings to the tune of $2 Million smackeroonies to help finance this muddy slough of a movie. As reported by CBC News in Saskatchewan, the inbreds running the province cobbled together a funding agreement that "includes a clause that the producers are expected to include 'positive visual aspects' that promote the province as a tourism destination in the story line of the movie. The agreement suggests 'sunrises/sunsets, unique vistas or locations'". Saskatchewan? A Tourism Destination? For what? To see the RCMP horse brigade parade in Regina?

What a bunch of yokels.

They've gotten exactly what they deserve.

THE FILM CORNER RATING: THE TURD DISCOVERED BEHIND HARRY'S CHARBROIL & DINING LOUNGE For a full explanation of this rating click HERE.

If you're interested in reading about HOW to make a genuinely successful big-screen version of a small-screen success, you can read my review from yesterday by clicking HERE.

Corner Gas The Movie is available on Blu-Ray and DVD from VSC. The transfer highlights the gorgeous picture postcard cinematography of Saskatchewan very nicely and it includes a bevy of extra features like gag reels (about as funny as the movie), a clutch of EPK-like making-of items and a thoroughly useless commentary track which is filled wall-to-wall with folksy shout-outs. Nothing I say here will stop the multitude of inbreds in this country from parting with their dollars to buy it, so they might as well order it right from here so they can support the ongoing maintenance of the website which, like the Prime Minister they voted for, has little but disdain for them.


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Thứ Ba, 30 tháng 12, 2014

HANNAH MONTANA: THE MOVIE - Review By Greg Klymkiw - Genuine Big Screen Version

Here's a terrific wifflegif.com rendering of the immortal Hannah Montana Hoedown Throwdown for thine pleasure
Le ART film du Miley
Hannah Montana - Le Film
Hannah Montana: The Movie (2009)
Dir. Peter Chelsom
Starring: Miley Cyrus, Billy Ray Cyrus, Emily Osment, Jason Earles, Peter Gunn

Review By Greg Klymkiw

When a middle-aged man wanders alone into a theatre full of 8-year-old girls and their Moms, then plops down front row centre, is it fair to automatically assume he is a child molester? What if this gentleman grew up in a simpler age when the likes of scrumptious childstar Hayley Mills delighted not only little girls and their mothers, but little boys as well? Though a lad couldn't admit he loved Hayley Mills, it was assumed his mates were equally enamoured with the sweet-faced star of Pollyanna.


Alas, whenever I walked alone into a theatre showing the likes of The Lizzie McGuire Movie or the Lindsay Lohan remake of Freaky Friday, the looks of disdain I'd receive from the mothers in the audience gave me a taste of what it must feel like to be of any non-caucasian racial persuasion walking into a Ku Klux Klan rally (only not quite as dangerous in spite of similar glares of hatred). This happens less now that I am usually accompanied by my own daughter to such extravaganzas, but I did initially find myself alone during an opening weekend theatrical screening of Hannah Montana: The Movie and once again I received the wary glares of Moms which said, loud and clear: “CHILD MOLESTER!”

It was, of course worth it, because I enjoyed myself very much. Having subsequently had the pleasure of watching every extant episode of the Disney series Hannah Montana on DVD (with my daughter, of course), followed by a few too many screenings of Hannah Montana: The Movie on Blu-Ray (with my daughter, of course), I recall that halcyon first theatrical screening of the big screen rendering of Miley Cyrus's Hannah Montana picture wherein she became my favourite contemporary child star.

The title character – much like Superman – bore two identities. By day, she was normal kid Miley Stewart, but by night she became pop music sensation Hannah Montana. Somehow, by merely donning a different-coloured wig, nobody – including characters who should know better - could seem to cotton on to the truth. Well, it worked for Clark Kent with a suit, tie and ultra-nerdy spectacles, so why not Miley/Hannah?

In the big screen version of Hannah’s adventures, her widowed Dad and manager Robby Ray Stewart (Miley’s real-life Dad, country singing sensation Billy Ray “Achy Breaky Heart” Cyrus) is concerned that his daughter needs a break from her hectic life as a pop sensation. Miley's wildly erratic behaviour (a far cry from Cyrus's real-life shenanigans these days) includes a public catfight with Tyra Banks over a pair of shoes in a swanky shop and an unexpected rift with her best friend Lily (Emily Osment).

Wise Dad brings his daughter back to their idyllic family farm in the sleepy White Trash hamlet of Crowley Corners, Tennessee. It is here where Miley finds herself re-connecting with childhood sweetheart Jackson Stewart (hunky, drool-inspiring Jason Earles), a whole passel of (no-doubt inbred) family and the simple joys of country life. Threatening her happiness is the muckraking celebrity journalist Oswald Granger (Peter Gunn) who is on to the Miley/Hannah ruse and is about to expose her to the world. As well, Crowley Corners is facing destruction at the hands of evil developers and only Miley/Hannah can save it.

Does everything work out happily? Well, it’s probably not a spoiler to say that it does.

Why wouldn’t it?

This amiable, pleasant and wholesome family entertainment with its picture postcard photography was subject to derision from pretentious critics, but the fact remains that the movie itself proved to be extremely engaging. Not only was it everything one would want to occupy the attention spans of kids, but it also fulfilled the very necessary function of promoting family values of the highest order. Miley’s Dad, for example, is a single parent, but not because of divorce, but because her Mom died. This is so much more palatable than parents who are too selfish and immature to put their kids first.

Miley Cyrus herself is terrific. In addition to being a talented comic actress, she’s got a great voice and truly shines during her musical numbers. She also proves that she’s got the right stuff to be a romantic lead. Daddy Billy Ray is an actor of – to put it mildly – limited range, but he’s perfectly pleasant in a down-home-corn-pone way.

The movie also features a musical number that rivals (I kid you not!) Luis Bunuel in the surrealism sweepstakes – a barn dance replete with step dancing AND (I kid you not!!) hip-hop moves and set to the song (I kid you not!!!) “Hoedown Throwdown”.

To this day, I am unable to shake myself of the lyrics:
Pop it, lock it, Polka dot it,
Countrify, then,
Hip-hop it!
I believe the aforementioned poetry will be etched on my mind until my last breath.

What makes the big-screen version a winner, is that it cleverly delivers a stand-alone movie that requires no prior exposure to the series. HOWEVER, once watching the series (yes, I must admit this to myself sometimes, if not the rest of the world), it's obvious how the same-said theatrical version provides oodles of connections for all those familiar with the TV show. More importantly, the film's makers realized that one needed to adhere to the heart and soul of the series, but ALSO up the ante with a whole new location, some new characters and also infuse the whole affair with the sort of big-screen scope that makes you feel like you're watching a bonafide theatrical motion picture as opposed to an overlong episode of the TV show.

Walt Disney’s Blu-Ray release of the feature film is a dream-come-true. It includes a gorgeous Blu-Ray transfer that captures the Tennessee locations and Miley’s exquisite, milky skin with equal perfection. There are deleted scenes and bloopers hosted by the amiable director Peter Chelsom (who, without talking down, manages a very kid-friendly approach to the material), several music videos, the usual making-of shtick and an equally kid-friendly commentary track from the aforementioned director. The cherry on this sundae of extra features is a how-to video on the utterly insane Hoedown Throwdown dance. My child loves it (and no doubt yours will too). What awaits are hours, days, weeks, months and – God forbid! – years of pleasure dancing along to this feature. In addition to the Blu-Ray disc, the deluxe edition also includes a DVD disc for portable players so your kid doesn’t scratch the Blu-Ray all to hell and – God Bless! – a disc that creates a high-resolution digital copy for iTunes, iPods and/or iPhones. It’s a great package!

If you’re not eight years old or a Mom or a middle aged man who loves Miley Cyrus, the likelihood of you enjoying this movie is considerably lower than that of a Muslim extremist wholeheartedly accepting Zionism. So do please enjoy.

Or not!

THE FILM CORNER RATING: *** 3-Stars

Hannah Montana – The Movie is available on Blu-Ray from Walt Disney Studios Home Entertainment.



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Thứ Ba, 2 tháng 9, 2014

THE EQUALIZER (WORLD PREMIERE TIFF 2014 - TIFF GALA) - Review By Greg Klymkiw


Sometimes a peaceful man must
KILL RUSSIANS!
The Equalizer (2014)
Dir. Antoine Fuqua
Scr. Richard Wenk
Starring: Denzel Washington, Marton Csokas, Chloë Grace Moretz, David Harbour, Bill Pullman, Melissa Leo, David Meunier, Haley Bennett, Allen Maldonado, Dan Bilzerian

Review By Greg Klymkiw

If you're going to make a movie about a retired CIA intelligence operative (Denzel Washington, sporting a nicely-shaved pate), living a quality life of mega-Zen-O-Rama in Boston, hanging out nightly in a quaint greasy spoon wherein he reads classic literature recommended to him by his now-dead wife, befriending a sweet teenage whore (Chloë Grace Moretz) "owned" by the Russian Mob, but who could be the daughter he never had, save for the parts where she spreads her legs for a myriad of gross clients and suffers savage beatings at the hands of her despicable Putin-like pimp, then, my friends, if your movie revolves around a man such as this, it is absolutely imperative that you give this lethal, morally incorruptible gent a job in a big box Home Depot-like store since sooner or later, he's going to take out the entire Russkie criminal underworld and it will be ever-so helpful (for him) and delightful (for us) when he's forced to kill a mess o' bad guys by utilizing what one normally finds in such insanely expansive shopping oases: various tools, hammers, drills, saws and (my favourite). . .

NAIL GUNS.

The mind boggles.

Well, as derivative as Richard Wenk's still-efficient screenplay proves to be, director Antoine Fuqua (Training Day) runs with the sturdy coat hanger handed to him by the aforementioned scribe and offers up a genuinely great macho-man action film that dazzles with a perfectly-pitched directorial style and skill-level to put all the hacks and poseurs who can't direct action to complete and utter shame.

Fuqua knows exactly where to place his camera, holds nicely on wide shots that display rigorous fight choreography of the finest pedigree and only uses mediums, closeups and cuts when he needs to for the purposes of rendering dramatic beats. Wenk even allows for a Quentin Tarantino rip-off, which is, in fact, a rip-off of many films before the crime-loving auteur began to employ the delicious technique of endless dialogue twixt opposing forces and eventually exploding into the most mind-blowing extremities of violence imaginable.

Fuqua's picture is so well directed that all the cliches and rip-offs are water off a duck's back. It's first-rate entertainment which allows Denzel Washington the opportunity to rescue Chloë Grace Moretz and put a dent in the Mob's business dealings to a point where a vicious trouble-shooter from the Old Country sails into town with an endless supply of assassins who Denzel is allowed to dispatch - one after another, and in ways that might make even the most Liberal of audiences buy the rabid anti-Russia propaganda hook, line and sinker.

Vaguely based on the 80s cult TV show, this has "action franchise" written all over it. That's all well and good, but I'd love to see Fuqua direct Washington in a movie that actually had a great script a la the dirty 70s practitioners of violent existential male angst. I doubt we'll find it in a franchise, but for now, I'll hold fast onto the pleasures The Equalizer delivers and dreamily imagine a day when I see a movie truly worthy of these two supremely gifted men.

THE FILM CORNER RATING: *** 3-Stars

The Equalizer enjoys its Gala world premiere at TIFF 2014 and will be released by Sony Pictures.

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