Hiển thị các bài đăng có nhãn David Felix Sutcliffe. Hiển thị tất cả bài đăng
Hiển thị các bài đăng có nhãn David Felix Sutcliffe. Hiển thị tất cả bài đăng

Thứ Bảy, 11 tháng 7, 2015

(T)ERROR - Review By Greg Klymkiw - COUNTDOWN TO FANTASIA FILM FEST MONTREAL 2015: Bold, brilliant programming selection for one of the best genre events in the world.

Once again, the Fantasia International Film Festival in Montreal proves why it is truly one of the greatest genre film events in the world. The 2015 edition has boldly, brilliantly programmed this jaw-droppingly terrifying film which focuses - NOT on the evil of terrorism, but the real evil, the hideous malevolence of the WAR on terror. Dazzling, provocative filmmaking that's worthy of a dazzling, provocative film festival.

If you missed it at Sundance, you have no excuses now. This is one scary mofo of a movie, a ***** 5-Star ABSOLUTE MUST-SEE!!! To paraphrase Liam Neeson, if you miss this film, "I will find you and I will kill you."


(T)ERROR (2015)
Dir. David Felix Sutcliffe, Lyric R. Cabral

Review By Greg Klymkiw

This is one blistering, nerve-jangling political thriller, not unlike the kind of pictures Costa-Gavras (Z, State of Siege) and Alan J. Pakula (The Parallax View) used to make; dark, scary and tingling with urgency, borrowing dollops of ennui from espionage pictures like Martin Ritt's The Spy Who Came in From the Cold and serving it up in a tidy, unbearably haunting neorealist package.

Shariff Torres is our surrogate here for the characters Jean-Louis Trintignant, Warren Beatty and Richard Burton played in the aforementioned thrillers. Torres is an informant for the FBI. His job is to root out terrorists. Well, not just terrorists, but anyone who even sympathizes with them, no matter how remotely. Besides, even if that target is not a terrorist, the FBI could really care less. It's always been very good at building a fake case to nail non-criminals. After all, they need to keep their arrest stats up to ensure the holders of the purse strings that their usefulness as a crime-busting agency is still vital. As such, they'll continue to get the ever-rising carte-blanche support from the government.

It's the American Way. And Canadians, don't get all smug about this. Our Nazi Prime Minister Stephen Harper (pictured below with his spiritual guide on the new Canadian Flag) has rammed through sweeping anti-terrorist powers that might make our neighbours to the South look positively benign.


Sharif Torres has been an informant for two decades. Since America's spurious "War on Terror" began, his duties are becoming ever-dangerous and the guilt he associates with what he's doing to innocent American Muslims is weighing heavily upon him. He'd almost not care about himself; he's in mighty deep, but he has a young son and in this dirty business, family is how "they" get you. He's going to do one last big job, but how easy will it be to "retire" in relative peace?

The eyes of "terror" are always upon him, but who is more terrifying? The Terrorists (if they genuinely exist at all, at least to the degrees with which they're sought out)? Or the FBI?


Torres decides that the best thing to do is make one last cash grab, but in so doing, betray the corrupt hand that feeds him. He invites a documentary film crew to follow him around and give them unprecedented access to espionage activities as well as the lengths to which the FBI will go to nabbing, charging and incarcerating whomever they choose.

The crew captures all the ins and outs of espionage activity. Sometimes, what transpires is so ludicrous and appalling that you find it hard to believe. In fact, if this were a dramatic thriller, you might actually find yourself saying, "I don't buy this." But you do. You buy it hook, line and sinker; not just because the filmmaking is so first-rate, but because this is not fiction, but is, in fact, a documentary. Yes, a fucking documentary - proving again that this is a genre which demands its filmmakers rise above the strictly dull informational approach to their subjects which so many find themselves taking.

Sharif Torres, you see, is a real spy and his victims are real and the filmmakers are very, very real. David Felix Sutliffe (director of the powerful Adama, reviewed HERE) and his co-filmmaker Lyric R. Cabral are indeed the "documentary crew" whom Torres has allowed to detail his actions as dictated by the FBI.

I can assure you, there are few documentaries which ever get so close to such subjects and subject matter as this one does and watching (T)ERROR is pure edge-of-your-seat suspense.

Ah, but there is an even more chilling twist.

The filmmakers decide to also follow the target of Torres's surveillance.

"What the fuck?" you might find yourself exclaiming out loud. "They're following the target, too?" Good Goddamn, this is one scary-ass movie!


(T)ERROR is quite unlike any documentary ever made. It's a film about counterterrorism in which the spy and his target become subjects of the filmmakers - up close and personal. After seeing it, I'm still chilled to the bone. Watching it is so creepy, so horrifying, so downright jaw-agape shocking, you might even consider wearing a pair of adult diapers in case the you-know-what is scared right out of you.

THE FILM CORNER RATING: ***** 5-Stars

(T)ERROR receives its French Canadian Premiere at the Fantasia International Film Festival 2015 in Montreal. For info on dates, times and tix, visit the FANTASIA website HERE. Its International premiere was at Hot Docs 2015 in Toronto and its World Premiere was in Sundance where it won the Special Jury Prize. But screw that, it deserves a goddamned Oscar!

Thứ Bảy, 18 tháng 4, 2015

HOT DOCS 2015 - (T)ERROR - Review By Greg Klymkiw *****

(T)ERROR (2015)
Dir. David Felix Sutcliffe, Lyric R. Cabral

Review By Greg Klymkiw

This is one blistering, nerve-jangling political thriller, not unlike the kind Costa-Gavras (Z, State of Siege) and Alan J. Pakula (The Parallax View) used to make - dark, scary and tingling with urgency, borrowing dollops of ennui from espionage pictures like Martin Ritt's The Spy Who Came in From the Cold and serving it up in a tidy, almost neorealist package.

Shariff Torres is an informant for the FBI. His job is to root out terrorists. Well, not just terrorists, but anyone who even sympathizes with them, no matter how remotely. Besides, even if that target is not a terrorist, the FBI could really care less. It's always been very good at building a fake case to nail non-criminals. After all, they need to keep their arrest stats up to ensure the holders of the purse strings that their usefulness as a crime-busting agency is still vital. As such, they'll continue to get the ever-rising carte-blanche support from the government.

It's the American Way. (And Canadians, don't get all smug about this. Our Nazi Prime Minister Stephen Harper is trying to ram through sweeping anti-terrorist powers that might make our neighbours to the South look positively benign.)

Sharif Torres has been an informant for two decades. Since America's spurious "War on Terror" began, his duties are becoming ever-dangerous and the guilt he associates with what he's doing to innocent American Muslims is weighing heavily upon him. He'd almost not care about himself; he's in mighty deep, but he has a young son and in this dirty business, family is how "they" get you. He's going to do one last big job, but how easy will it be to "retire" in relative peace?

The eyes of "terror" are always upon him, but who is more terrifying? The Terrorists (if they genuinely exist at all, at least to the degrees with which they're sought out)? Or the FBI?


Torres decides that the best thing to do is make one last cash grab, but in so doing, betray the corrupt hand that feeds him. He invites a documentary film crew to follow him around and give them unprecedented access to espionage activities as well as the lengths to which the FBI will go to nabbing, charging and incarcerating whomever they choose.

The crew captures all the ins and outs of espionage activity. Sometimes, what transpires is so ludicrous and appalling that you find it hard to believe. In fact, if this were a dramatic thriller, you might actually find yourself saying, "I don't buy this."

But you do. You buy it hook, line and sinker; not just because the filmmaking is so first-rate, but because this is, in fact, a documentary. Torres is a real spy and his victims are real and the filmmakers are very, very real. David Felix Sutliffe (director of the powerful Adama) and his co-filmmaker Lyric R. Cabral are indeed the documentary crew whom Torres has chosen to detail his actions as dictated by the FBI.

I can assure you, there are few documentaries which ever get so close to such subjects and subject matter and watching (T)ERROR is pure edge-of-your-seat suspense.

This is one scary movie, but even more so when the filmmakers decide to also follow the target of Torres's surveillance. "What the fuck?" you might find yourself exclaiming out loud. They're following the target, too?


(T)ERROR is quite unlike any documentary ever made. It's a film about counterterrorism in which the spy and his target become subjects of the filmmakers - up close and personal. After seeing it, I'm still chilled to the bone. Watching it is so creepy, so horrifying, so downright jaw-agape shocking, you might even consider wearing a pair of adult diapers in case you-know-what is scared right out of you.

(T)ERROR receives its International Premiere at Hot Docs 2015. For info visit the Hot Docs website HERE.

Thứ Sáu, 10 tháng 4, 2015

ADAMA - Review By Greg Klymkiw - Racist War On Terror targets innocent teenage girl

In anticipation of the upcoming 2015 Toronto Hot Docs International Festival of Documentary Cinema's Canadian premiere of David Felix Sutcliffe's powerful Sundance-Award-Winning feature (T)error which he co-directed with Lyric R. Cabral, The Film Corner's Countdown to Hot Docs continues with my review of Adama. Broadcast in 2011 via PBS, Sutcliffe's first film is a provocative, rage-inducing portrait of America's racist anti-terror policies perpetrated upon the innocent.

Adama (2011)
Dir. David Felix Sutcliffe

Review By Greg Klymkiw

In March of 2005, a 16-year-old honours high-school student living in Harlem was arrested and incarcerated (kidnapped and wrongfully jailed) by the Federal Bureau of Investigation (America's Schutzstaffel, more commonly known as the S.S.) under the spurious, unfounded suspicion of training with Al-Qaeda as a terrorist suicide bomber.

After being dragged from her home, family and in the middle of a successful school year (that was scuttled by this immoral action), the FBI decided they had nothing on her, so the American Government, in its racist policies masquerading as a war on terror on home turf, instead placed her under a strict curfew (replete with ankle bracelet to monitor her comings and goings) and charged her with being an illegal immigrant, in spite of the fact that she had been living in America since the age of 5 years old.

Her friend, also arrested, wasn't so lucky. She was immediately deported to Africa. Her father, was even more unlucky. He was imprisoned for 16 months and then deported to Africa. Without a sole bread-winner, the teenage daughter had to give up school completely to earn money for her mother and younger siblings. She was then flung into the harrowing experience of never knowing if she would be deported or not.

Welcome to America's War on Terror against the innocent and driven by racist racial profiling of the most heinous, egregious kind. The aforementioned events represent the tip of the iceberg that is the story of the innocent teenage girl of the film's title Adama. This terse, powerful 60-minute documentary was produced for PBS in 2011 and directed with both economy and urgency by David Felix Sutcliffe. It presents a world of Kafkaesque horror and plays out like a direct cinema thriller steeped in humanity.

We experience the terror of this young lady as she is dragged through endless immigration hearings over a period of months, all of them inconclusive and adding to the fear and paranoia of both Adama and her family. There's one set piece in particular that is on-the-edge of the seat scary as she races back to her home, fearing she'll be late for the ankle-monitored curfew (the result of which could mean re-incarceration). There's also the very real threat of other petty bureaucratic agencies investigating the lack of money in the household and considering the horrendous solution of breaking the family apart into the foster-care system. One of the most deeply moving sequences involves Adama's brother pleading to America to leave his innocent sister alone and to let his family continue as they have to live freely in America and to experience a better life.


Sutcliffe has fashioned a sickening, alarming portrait of America's delusional and just-plain mean-spirited war against people of colour in the name of protecting the country. It's not a pretty picture and for much of the film's running time, you will be outraged, frustrated and thrust into Adama's point of view.

What America has been doing and continues to do is appalling. Adama is a film that puts a very human face to the country's own acts of psychological terrorism. And Canadians, no need to be smug, our country has been racial profiling for a long time - see my review of the powerful Hot Docs entry from last year, Amar Wala's The Secret Trial 5. And if what you see in that film and Adama is scary, just wait until Chancellor (Canadian Prime Minister) Stephen Harper enacts his grotesque anti-terror legislation which will plunge the country beyond America's bilious attack on human rights all in the name of Der Führer Harper's belief that "Jihadist terrorism is not a future possibility, it is a present reality.”


See Adama, see Sutcliffe's new documentary feature (T)error, see The Secret Trial 5. The real terrorists are our own governments. We, the people, are supposedly the government. Not so. We're mere fodder for the attack upon anyone even vaguely outside the Status Quo.

THE FILM CORNER RATING: **** Four Stars

Adama is available to be viewed for FREE online at Sutcliffe's Vimeo page HERE. (T)error will play at the 2015 Hot Docs (The Film Corner review coming soon).